L’arte orafa e le sue apparizioni e interpretazioni nella storia dell’arte.

Jevelry and its presence and iterpretations in art history.

Ogni opera realizzata è pertanto un pezzo unico:

• Creazione esclusiva di gioielli in oro e platino
• Creazioni su disegno o ispirazione del cliente
• Consulenza e assistenza
• Riparazioni
• Riproduzione di gioielli moderni
• Riproduzione e restauro di gioielli antichi e oggettistica
• Realizzazione di oggetti e gioielli di oreficeria sacra come croci da mensa, calici, patene, reliquiari, croci pettorali, navicelle, turiboli, ecc.

Le diverse lavorazioni che si effettuano al laboratorio:

• Oreficeria modellata a cera persa
• Sbalzo e cesello 
• Incisione
• Incisione di sigilli
• Filigrana 
• Smalti (cloisonné , champlevé, plique a jour)
• Smalti e miniature

English translation follows.

Any work produced in the laboratory is made ​​entirely by hand, using techniques matured over years of study and work. To create a jewel we start from the sketches, research of materials and color combinations, and thus arrive at the final design. In the later stages we face working techniques that can vary and include, for example, the repoussage, modeling wax (lost-wax casting), enamel, mounting.

Each work is made ​​so unique:

• Create unique jewelry in gold and platinum
• Creations inspired by design of the customer
• Advice and assistance
• repairs
• Playing modern jewelry
• Reproduction and restoration of antique jewelry and objects
• Construction of objects of sacred gold and jewelry as table crosses, chalices, patens, reliquaries, pectoral crosses, shuttles, censers, etc..

The different processes realized by the laboratory:

• Lost wax casted jewelry
• Repoussé and chiselling
• incision
• Engraving of seals
• Watermark
• Enamel (cloisonne, champlevé, plique a jour)
• Miniatures enamels